

Two portraits of musician and songwriter Marques, from 2008. Part of an unfinished project including a 2-channel looping video piece that I should probably catch up on when I get a chance...
















In 375 BC, the Sacred Band of Thebes, an elite force composed entirely of homosexual lovers, annihilated the Spartan army, a brigade three times their size, at Teygra. 2352 years later, party planner Robert Isabell triumphed as well, becoming an instant sensation when he filled Studio 54 with four tons of glitter.
Ryan McNamara is an artist working in New York City. In spring 2009, he worked on “Bernie, The Magic Lady,” a performance and installation at APF Lab. This summer, his video and performance work was included in the 2nd Athens Biennale and “Stars!” at Salon 94 Freemans. In August, McNamara wrote, directed, and starred in “Ryan McNamara presents Klaus von Nichtssagend: The Musical” at Klaus von Nichtssagend Gallery. McNamara has also performed as a dancer at numerous New York venues, including Dance Theater Workshop, P.S. 122, and The Kitchen.
Presented by X Initiative.
548 W. 22nd Street
Friday, November 13 8:00pmFREE
Adel Abdessemed, Edgar Arceneux, Jabu Arnell, Kabir Carter, William Cordova, Thierry Fontaine, Charles Gaines, Deborah Grant, Rashawn Griffin, David Hammons, Maren Hassinger, Leslie Hewitt, Wayne Hodge, Rashid Johnson, Jennie C. Jones, Jayson Keeling, Simone Leigh, Glenn Ligon, Dave McKenzie, Nicole Miller, My Barbarian, Kori Newkirk, Chris Ofili, Demetrius Oliver, Karyn Olivier, John Outterbridge, Clifford Owens, Akosua Adoma Owusu, William Pope.L, Michael Queenland, Robin Rhode, Jimmy Robert, Nadine Robinson, Paul Mpagi Sepuya, Gary Simmons, Xaviera Simmons, Shinique Smith, Soda_Jerk, Kianja Strobert, Stacy-Lynn Waddell, and Nari Ward.

NEW YORK – Starr Space, a Brooklyn-based performance art venue founded by artist Jules de Balincourt, is pleased to announce an evening of prose readings, exclusive screenings, live performances, and orgiastic sacrifice that will take place on Saturday, October 31st, 2009. Organized by curator Joseph Whitt, this event will feature Harmony Korine, Terence Koh, Disco Mayhem (Lizzi Bougatsos and Rita Ackermann), No Bra (Susanne Oberbeck), Kendell Geers and Ilse Ghekiere, Amir Mogharabi and Jeffrey Perkins, Paul Mpagi Sepuya, and DJs Patt Fink and SteFUN. Doors open at 8:00 P.M. Show starts at 9:00 P.M. and will last well into the wee hours. Expect surprises. Cost is $10.00 at the door, until filled to capacity.








Perspectives on friendship in the age of social networking.
September 18 - October 18, 2009
Space 414 is pleased to present Buddy List, an exhibition simply, and not so simply, about friendship. Curated by Nathan Lee, the show groups sculpture, video, drawing, painting, and performance by twelve artists whose work addresses the changing nature of human relations in the age of social networking.
Michael, Dialogue (2006), a suite of color photographs by Paul Sepuya, attests to the persistence of portraiture as a vital contemporary form, albeit one inescapably mediated by technology and compulsive self-presentation. Where Sepuya’s negotiation of his own image in relation to a subject aims for an elegant, transparent intimacy, The Crack Video (2008) by Kendel Bennett presents a thornier, more provocative model of the artist mediating his relationship to the other. Bennett documents an evening spent in the company of Negra, a middle-aged drug addict he befriended. Passing a video camera – and a crack pipe - back and forth as they wander the halls of a Bushwick housing project, Bennett abdicates full authorship of his work while challenging viewers to address their assumptions about agency, autonomy and exploitation.
Peter Wilson’s Barber Pole (2008) codes a different form of marginal social behavior. Embodying the sign, in western culture, of the barbershop – a rare site of physical intimacy between men – Wilson’s painted wood sculpture simultaneously indicates the appropriation of the icon in Asian cultures as a signal for prostitution.
Evoking eros on more personal terms, Jing Yu’s The Golden Fleece (2009) is a delicate, shimmering representation of her boyfriend’s chest hair. Affections are distanced, if not hallucinated, in Yu’s lithographic series XXOO Christian Bale (2008), while Precious Memories (2008) transposes the artist’s affection for mid-century Japanese porcelain figurines, sourced on eBay, into cast lard simulacra that inexorably dissolve.
Glen Fogel’s meticulously framed and printed diptych First Love Summer 1994 (2003) memorializes a fleeting moment of adoration and youthful verve. Benjamin Kress summons another ghostly presence in his disquieting sculptural installation Silent Words, Empty Forms (2009). Jeremiah Teipen emulates a social networking site gone haywire in Together (2009). Adam Shecter presents a series of Selected T-Shirts 2004-2009 given to friends as gifts and retrieved, in various states of wear, for this exhibition. Apichatpong Weerasethakul contributes Teens With a Ship (2009), a photo related to his multimedia PRIMITIVE PROJECT. Joe Winter’s kinetic sculpture ½ Double Negative (Model) (2009) enters into a curious relationship with his ½ Double Negative (Pattern) (2009). Jill Lyon offers a whimsical diagram of a Red Hook apartment building in Shantytown. The exhibition will open with a performance by artist, choreographer, and dancer Walter Dundervill.
http://www.space414.com/
